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Zero Dark Thirty: A Tale of Bias and Burqas

February 25, 2013

As a filmmaker passionate to cross-cultural stories and also dedicated to crafting authentic stories that present accurate depictions of culture, this article is a great caution for me. While I think of myself as one who values other voices and hates simple stereotypes, I’m sure I am guilty of falling into the same traps. I am, after all, tremendously influenced by my own culture, religion, and upbringing. As much as I may intellectually value other voices, it is exceedingly difficult for me to recognize the impact of my own inner biases when I am creating stories. I may really be committed to presenting authentic points of view, but I have to acknowledge that I often can’t see the impact of my biases.

Here’s what this author says about the portrayal of Muslim women in two Oscar celebrated American films.

Zero Dark Thirty and Argo have twelve Oscar nods between them. There has been much heated discussion on their portrayal of Muslims and how much of it ought to be excused do to artistic message. In the end, though, their many accolades serve as one more example of anti-Muslim women dialogues in Western society being fervently rewarded.

Read the whole article here, from Patheos: Zero Dark Thirty: A Tale of Bias and Burqas.

What can we, as storytellers, do to avoid biased and inaccurate (perhaps offensive) portrayals of others in our films?

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